Works on Water: A dip into science dramaturgy
May 26, 2017 by Rachel
Works on Water has been a project like none other in its ambition and scope. Guerilla Science have partnered with Works on Water organizers — theater company New Georges and artist curatorial team Urban Water Makers — to collaborate on the premiere of
 the new play (Not) Water (tickets now on sale HERE)
 create installations with our trademark brand of subversive play, and
 infuse a series of interdisciplinary conversations with science.
We’re at well over 80 collaborators to fill 3LD with an entire month of activities and it is a TRUE collaboration: we have writers, visual artists, actors, scientists and production crew all working together to make a massive calendar of events! It’s a new and exciting way of working for Guerilla Science, and I’m delighted to be a part of it.
You’ll have to come stop by to see everything, but without giving away too many fun surprises, here are three of my favorite moments so far:
Water “flows” across scientific disciplines!
To help playwright Sheila Callaghan better understand what kinds of water-related stresses exist today across the globe, and how scientists think about them, I went to the source! I spent weeks interviewing scientists from a variety of disciplines: from paleontologists who study tree rings to understand the history of droughts, to urban-focused environmental scientists who make models to understand what storms might overflow NYC’s sewers. I’ve loved learning about the details of so many different kinds of water-related studies, and putting together common threads to share with the creative team.
Putting science into the rehearsal room
Seeing how the cast and creative team of the play have responded to these scientists’ work has been really amazing. I loved how strongly the rehearsal room team responded to Dr. Colin Kelley’s groundbreaking paper that showed a link between anthropogenic climate change, the mid-2000’s drought in Syria, and the subsequent civil unrest there. Hearing that geopolitical unrest can be one outcome at stake from human-influenced climate change helped us better define the play’s dramatic stakes, and the pressure on different characters at different moments.
Outside the rehearsal room, I’ve been working for months with the incredible video artist Marianna de Nadal to make a VERY different kind of video installation — in a place you wouldn’t expect. It’s all about the impact of climate change on different geographies around the globe, and I can’t wait to see how people respond to it…
See you at Works on Water!